Monday, May 30, 2022

Review: Ordinary Monsters by J.M. Miro

   

Ordinary Monsters by J.M. Miro
Flatiron Books
Publication Date: June 7th, 2022
Hardcover. 672 pages.

About Ordinary Monsters:

"England, 1882. In Victorian London, two children with mysterious powers are hunted by a figure of darkness —a man made of smoke. 

Sixteen-year-old Charlie Ovid, despite a lifetime of brutality, doesn't have a scar on him. His body heals itself, whether he wants it to or not. Marlowe, a foundling from a railway freight car, shines with a strange bluish light. He can melt or mend flesh. When two grizzled detectives are recruited to escort them north to safety, they are forced to confront the nature of difference, and belonging, and the shadowy edges of the monstrous. 

What follows is a journey from the gaslit streets of London, to an eerie estate outside Edinburgh, where other children with gifts—the Talents—have been gathered. Here, the world of the dead and the world of the living threaten to collide. And as secrets within the Institute unfurl, Marlowe, Charlie and the rest of the Talents will discover the truth about their abilities, and the nature of the force that is stalking them: that the worst monsters sometimes come bearing the sweetest gifts. 

With lush prose, mesmerizing world-building, and a gripping plot, Ordinary Monsters presents a catastophic vision of the Victorian world—and of the gifted, broken children who must save it."

Ordinary Monsters is a multi-layered, epic historical fantasy story about the many lines that exist between heroes and villains, the ordinary and the extraordinary. It’s an immersive, dark, and grueling world that pulls readers into a sprawling story that follows a sizable cast of characters as they embark on a journey against some rather malicious and unknown forces. 

There are a lot of moving parts to Ordinary Monsters, which makes it difficult to succinctly describe the plot, but I’ll do my best. The story starts out in Victorian London with two “detectives” who are on the move to track down various children with what appear to be special powers to take them back to the Cairndale Institute in order to protect them from aforementioned malicious forces who may want to cause them harm in various forms. 

We follow a somewhat expansive cast of characters and jump around through a number of POVs, time periods, and locations. I found myself having having to orient myself more than a few times during a time or location jump in order to remind myself of where the story was and what was going on, especially since there are sometimes POVs shifts within chapters. I think it could be easy to get a little confused at times with this setup, but fortunately I found Miro’s storytelling would quickly get me back on track. All of the individual characters were remarkably well-developed and had really fleshed out personalities, backgrounds, and motivations. It’s easy to get bogged down with characters in books of this size, but I think Miro did a good job of setting them apart from one another and giving each one a specific storyline that was compelling and stood on its own. 

The magic in Ordinary Monsters takes the form of the "talents" that the children have, such as the ability to become invisible or to heal one's body from various injuries. There are also some more peculiar talents that had different implications relating to the plot that I really don't want to say much about in order to avoid spoilers, but just know that things continuously get more and more interesting as the story progresses. The Cairndale Institute is meant to be a school and home to these children, and I really loved getting to explore this setting. I will say that I expected Cairndale to be a slightly bigger setting and have a larger role given how much it is mentioned in the marketing and by the characters, but we don't really spend all that much time doing a lot at the Institute. We don't actually even reach the Institute until quite a ways into the novel, so it's not quite the school-based fantasy I expected, but I didn't personally mind that at all. 

My main problem (and probably only real problem) with Ordinary Monsters was with the pacing. This is a thoughtful, slow-paced story that cannot be rushed through. I don’t have any problems with a slow-paced story, and in fact I often really enjoy and prefer them over books that are too fast-paced. That being said, I found the thoughtful pacing to be a bit inconsistent at times, and after a really compelling and well-written first third of the book I started noticing the middle portions dragging a bit. That’s not to say that nothing of interest happens in the middle of the book, as there is plenty of action and intrigue, but things just slowed considerably and I found myself really having to push myself to get through it at times. I flew threw the first half of the book, but as we moved further into the middle sections (specifically latter middle sections), my reading became much slower and it took me longer than I expected to finish. The very end of the book also really picks up the pace and there is a lot of action to make up for the slower pacing, but with that action came the sense that things were just a bit too jam-packed together; there was a lot of build-up that was executed very quickly. 

All that being said, I was really impressed with Ordinary Monsters and J.M. Miro’s contribution to the historical fantasy subgenre. It’s obvious that Miro knows what they are doing with writing and put immense amounts of thought, planning, and effort into creating this expansive this world and multi-faceted magic system. I am very eager to see where the next installment will take us after such a riveting and momentous ending, although I’m sure it will be a bit of a wait. 

Overall, I’ve given Ordinary Monsters four stars! This may be a big book, but if you’re looking for a new fantasy that really takes its time to develop character, world, and magic system, then this is one you should probably add to your TBR.



*I received a copy of Original Monsters courtesy of the publisher in exchange for an honest review.*

Buy the book: Amazon | Bookshop.org

Saturday, May 28, 2022

Anticipated June 2022 Releases!



Apparently June is an exceptionally popular month for releases this year and although I feel like I spent ages putting all these books on this list, I know I'm still probably missing a lot of them. I've been able to read a number of these already (Ordinary Monsters, A Mirror Mended, The Clackity, Never Coming Home) and it's looking like a promising month! Since there are so many, I'm just going to keep this portion brief and go ahead and dive into the upcoming releases!



Ordinary Monsters by J.M. Miro || June 7th -- Amazon | Bookshop.org

Garden of Earthly Bodies by Sally Oliver || June 7th -- Amazon | Bookshop.org

Juniper & Thorn by Ava Reid || June 21st -- Amazon | Bookshop.org

The Rise and Reign of the Mammals: A New History, from the Shadow of the Dinosaurs to Us by Steve Brusatte || June 7th -- Amazon | Bookshop.org

For the Throne (Wilderwood #2) by Hannah Whitten || June 7th -- Amazon | Bookshop.org

The Path of Thorns by A.G. Slatter || June 14th -- Amazon | Bookshop.org

The Martyr (Covenant of Steel #2) by Anthony Ryan || June 28th -- Amazon | Bookshop.org

A Mirror Mended (Fractured Fables #2) by Alix E. Harrow || June 14th -- Amazon | Bookshop.org

Driftwood Orphans by Paul Krueger || June 23rd -- Amazon | Bookshop.org

The Ballad of Perilous Graves by Alex Jennings || June 21st -- Amazon | Bookshop.org

Lapvona by Otessa Moshfegh || June 21st -- Amazon | Bookshop.org

The Clackity by Lora Senf || June 28th -- Amazon | Bookshop.org

In the Shadow of Lightning by Brian McClellan || June 21st -- Amazon | Bookshop.org

This Vicious Grace by Emily Thiede || June 28th -- Amazon | Bookshop.org

Blood and Moonlight by Erin Beaty || June 28th -- Amazon | Bookshop.org

The Final Strife by Saara El-Arifi || June 23rd -- Amazon | Bookshop.org

Wretched Waterpark by Kiersten White || June 7th -- Amazon | Bookshop.org

Hell Followed with Us by Andrew Joseph White || June 7th -- Amazon | Bookshop.org

Ashton Hall by Lauren Belfer || June 7th -- Amazon | Bookshop.org

Daughter of Redwinter by Ed McDonald || June 28th -- Amazon | Bookshop.org

Aurora by David Koepp || June 7th -- Amazon | Bookshop.org

The House Across the Lake by Riley Sager || June 21st -- Amazon | Bookshop.org

Never Coming Home by Kate M. Williams || June 21st -- Amazon | Bookshop.org

Moonlight and the Pearler's Daughter by Lizzie Pook || June 14th -- Amazon | Bookshop.org

A Taste of Gold and Iron by Alexandra Rowland || June 30th -- Amazon | Bookshop.org

We All Fall Down by Rose Szabo || June 7th -- Amazon | Bookshop.org

Nuclear Family by Joseph Han || June 7th -- Amazon | Bookshop.org

Future Feeling by Joss Lake || June 1st -- Amazon | Bookshop.org

Bad Things Happen Here by Rebecca Barrow || June 28th -- Amazon | Bookshop.org


What are your anticipated June releases?

Friday, May 27, 2022

The Friday Face-Off: 'You'

     Friday Face Off New

Welcome to The Friday Face-Off, a weekly meme at Books by Proxy. Join us every Friday as we pit cover against cover, and publisher against publisher, to find the best artwork in our literary universe.  You can find a list of upcoming topics at Lynn's Books.

This week's topic is:
Books with 'You' In the Title

This week I've chosen to feature Neil Gaiman's A Game of You, the fifth volume in the incredible Sandman series because it fits perfectly with the topic! There were a ton of neat covers to check out for this one, so let's have a look. :)

A Game of You (The Sandman, #5)Sen Oyunu (The Sandman #5)The Sandman: Un juego de ti (The Sandman #5, Colección Vertigo #248)
1992 US Hardcover | 2018 Turkish | 2004 Spanish

Sandman: Um Jogo de VocêThe Sandman. Пісочний чоловік. Книга 5: Гра в тебеSandman Vol. 5: A Game of You (The Sandman)
2016 Portuguese | 2020 Ukrainian | 2019 US Anniversary Edition

Sandman - Il signore dei Sogni n. 12 Sendmen 5: Igram se tebeUm Jogo de Ti (The Sandman #5)
1995 Italian | 2009 Serbian | 2016 Portuguese

My choice(s):
These all have such a similar vibe! I really like the illustration on the Italian edition, although it's a bit blurry unfortunately. The anniversary edition is also really pretty, and the rest are all both super similar and dissimilar at the same time so I'm having a hard time deciding which one I like best! The Ukrainian one is pretty captivating for me as well. What do you think about these covers?



What cover(s) do you like the most?

Thursday, May 26, 2022

(Not-So)-Mini-Review: We Had to Remove this Post by Hanna Bervoets, trans. Emma Rault

*This was meant to be a mini review, so it's set up in my usual mini review format, but it went a bit longer than I anticipated. Whoops!


We Had to Remove this Post by Hanna Bervoets, trans. Emma Rault
Houghton Mifflin Harcourt
Publication: May 24th, 2022
Hardcover. 160 pages.

About We Had to Remove this Post:
"Kayleigh needs money. That’s why she takes a job as a content moderator for a social media platform whose name she isn’t allowed to mention. Her job: reviewing offensive videos and pictures, rants and conspiracy theories, and deciding which need to be removed. It’s grueling work. Kayleigh and her colleagues spend all day watching horrors and hate on their screens, evaluating them with the platform’s ever-changing terms of service while a supervisor sits behind them, timing and scoring their assessments. Yet Kayleigh finds a group of friends, even a new love—and, somehow, the job starts to feel okay. 

But when her colleagues begin to break down; when Sigrid, her new girlfriend, grows increasingly distant and fragile; when her friends start espousing the very conspiracy theories they’re meant to be evaluating; Kayleigh begins to wonder if the job may be too much for them. She’s still totally fine, though—or is she?"

We Had to Remove this Post initially grabbed my eye because the main character, Kayleigh, works as a content moderator for a major social media, a job that I have also (unfortunately?) had. Kayleigh's job as a content moderator is to review content that has been flagged as potentially offensive or inappropriate and determine whether or not that is the case. At Kayleigh's job, she is inundated with constant hate, violence, and other terrible content, and it always seems to take its toll on the people working there. We Had to Remove this Post follows a snapshot of Kayleigh's life and relationships with her colleagues and how things seem to slowly devolve.

What I liked: We Had to Remove this Post was written in a very compelling way and I appreciated how the author explored this work experience via the format of Kayleigh writing to someone who wants her to join a class action lawsuit about the company. I also appreciated that although she discussed what the content moderation consisted of and mentioned a few examples, she never went into unnecessary detail or shared anything horrifying just for the shock value–there was always a purpose. This book provides a really fascinating and important look at the psychological pressures that are placed on the moderations from consistently viewing the horrible content that can be found online, and how those working to "protect" the rest of the world from it as moderators take on the burden of ingesting this content every day. As a previous content moderator, I think Bervoets captured this experience extremely well and the way the horror on the screen becomes its own sort of traumatic monotony. Bervoets depictions of the characters coping with what they see also felt very authentic and I think captured the relationships between each friend really well, and I think this really helped make this novella feel cohesive and compelling. 

What I didn't like: There's nothing that I truly disliked about this book. It has a rather low rating on Goodreads, which I noticed after finishing it, and while I would expect this not to be a book for everyone, I'm a bit perplexed as to why it's quite so low. I think the book leaves a little to be desired in the vein of closure and exploration of some characters, but I don't think it suffered from that, either. The only thing I probably would have appreciated is if this book was longer. I would've really liked to see more of Kayleigh's character arc and interactions with friends. That being said, I'm not really mad about the 160-page size of this novella because I think everything worked perfectly. You get just enough information and content that you need, and any more might just mess up that balance. 

Overall, I've given We Had to Remove this Post four stars! As you might have guessed, there is some difficult and disturbing content, so please do be aware of that going into. This was a really interesting and thoughtful look into social media, what we ingest daily, and how people are affected by the things they see–particular those who have to see the worst of it. 

Buy the book: Amazon | Bookshop.org



Wednesday, May 25, 2022

Can't-Wait Wednesday: Daughter of Redwinter by Ed McDonald, The Clackity by Lora Senf, & In the Shadow of Lightning by Brian McClellan

 

Can't-Wait is a weekly meme hosted by Wishful Endings that spotlights exciting upcoming releases that we can't wait to be released! This meme is based off of Jill @ Breaking the Spine's Waiting on Wednesday meme.
 
This week's upcoming book spotlights are: 
Daughter of Redwinter by Ed McDonald
Publication: June 28th, 2022
Tor Books
Hardcover. 352 pages.

Pre-order: 
Amazon | Bookshop.org

From Goodreads:
"Those who see the dead soon join them. 
From the author of the critically-acclaimed Blackwing trilogy comes Ed McDonald's Daughter of Redwinter, the first of a brilliant fantasy series about how one choice can change a universe. 
Raine can see--and more importantly, speak--to the dead. It's a wretched gift with a death sentence that has her doing many dubious things to save her skin. Seeking refuge with a deluded cult is her latest bad, survival-related decision. But her rare act of kindness--rescuing an injured woman in the snow--is even worse. 
Because the woman has escaped from Redwinter, the fortress-monastery of the Draoihn, warrior magicians who answer to no king and who will stop at nothing to retrieve what she's stolen. A battle, a betrayal, and a horrific revelation forces Raine to enter Redwinter. It becomes clear that her ability might save an entire nation. 
Pity she might have to die for that to happen..."
I still haven't finished McDonald's Blackwing trilogy (but I loved the first book), but I'm really curious about Daughter of Redwinter and think it sounds really promising. Excited to check it out!

and...
The Clackity by Lora Senf
Publication: June 28th, 2022
Atheneum Books for Young Readers
Hardcover. 288 pages.

Pre-order: Amazon | Bookshop.org

From Goodreads:
"Reminiscent of Doll Bones, this deliciously eerie middle grade novel tells the story of a girl who must enter a world of ghosts, witches, and monsters to play a game with deadly consequences and rescue her aunt. 

Evie Von Rathe lives in Blight Harbor—the seventh-most haunted town in America—with her Aunt Desdemona, the local paranormal expert. Des doesn’t have many rules except one: Stay out of the abandoned slaughterhouse at the edge of town. But when her aunt disappears into the building, Evie goes searching for her. 

There she meets The Clackity, a creature who lives in the shadows and seams of the slaughterhouse. The Clackity makes a deal with Evie to help get Des back in exchange for the ghost of John Jeffrey Pope, a serial killer who stalked Blight Harbor a hundred years earlier. Evie must embark on a journey into a strange otherworld filled with hungry witches, penny-eyed ghosts, and a memory-thief, all while being pursued by a dead man whose only goal is to add Evie to his collection of lost souls."
There are so many middle grade releases coming out lately that really sound right up my alley! I've actually just finished an ARC of this and I adored it. Can't wait for the final edition to be published!

and...
In the Shadow of Lightning by Brian McClellan
Publication: February 1st, 2022
Graydon House
Paperback. 320 pages.

Pre-order: 
Amazon | Bookshop.org

From Goodreads:
"Magic is a finite resource—and it’s running out. 

Demir Grappo is an outcast—he fled a life of wealth and power, abandoning his responsibilities as a general, a governor, and a son. Now he will live out his days as a grifter, rootless, and alone. But when his mother is brutally murdered, Demir must return from exile to claim his seat at the head of the family and uncover the truth that got her killed: the very power that keeps civilization turning, godglass, is running out. 

Now, Demir must find allies, old friends and rivals alike, confront the powerful guild-families who are only interested in making the most of the scraps left at the table and uncover the invisible hand that threatens the Empire. A war is coming, a war unlike any other. And Demir and his ragtag group of outcasts are the only thing that stands in the way of the end of life as the world knows it."
This feels very reminiscent of more classic fantasy and I'm really looking forward to check it out! I've only read one of McClellan's previous books, but I liked it quite a bit and I hear nothing but good things about his books, so I have high hopes for this one. 

What do you think about these upcoming releases? What are your anticipated upcoming releases?

Monday, May 23, 2022

Review: How to Be Eaten by Maria Adelmann

  

How to Be Eaten by Maria Adelmann
Little, Brown and Company
Publication Date: May 31st, 2022
Hardcover. 304 pages.

About How to Be Eaten:

"This darkly funny and provocative novel reimagines classic fairy tale characters as modern women in a support group for trauma. 

In present-day New York City, five women meet in a basement support group to process their traumas. Bernice grapples with the fallout of dating a psychopathic, blue-bearded billionaire. Ruby, once devoured by a wolf, now wears him as a coat. Gretel questions her memory of being held captive in a house made of candy. Ashlee, the winner of a Bachelor-esque dating show, wonders if she really got her promised fairy tale ending. And Raina's love story will shock them all. 

Though the women start out wary of one another, judging each other’s stories, gradually they begin to realize that they may have more in common than they supposed . . . What really brought them here? What secrets will they reveal? And is it too late for them to rescue each other? 

Dark, edgy, and wickedly funny, this debut for readers of Carmen Maria Machado, Kristen Arnett, and Kelly Link takes our coziest, most beloved childhood stories, exposes them as anti-feminist nightmares, and transforms them into a new kind of myth for grown-up women."

How to Be Eaten is described as a modern day story that “reimagines classic fairy tale characters as modern women in a support group for trauma.” I wasn't sure how the execution of this premise would be, as it sounded amazing but also tricky to do, so I was really pleased and excited by the stories that I found within these pages. 

Each chapter covers one week’s session of the group meetings, and in each meeting we hear one woman’s story as she relays it to the rest of the group, slowly working through each woman over the course of five weeks. There are also small chapters sprinkled throughout that focus on the group leader, Will, and share a brief look into his perspective, but these are pretty short and don’t take up too much of the narrative time. I liked this general format for the story and felt it lended really well towards giving readers a chance to focus on one woman at a time, while also getting to hear from the other women as they interrupt the stories with their comments and discussions, which I’ll discuss a bit more later. 

I found each woman to have a distinct and compelling personality for the most part, though there were a couple characters that felt less “prominent” than others and I occasionally found them slipping my mind or blending in with others. The women we hear from include: Bernice, from the Bluebeard story; Ruby, aka Little Red; Ashlee, who starred in a Bachelor-esque reality TV show and whose fairy tale connection I’m still a little uncertain of; Raina, whose story connected to Rumpelstiltskin; and lastly is Gretel, of Hansel and Gretel. Getting all of these women with such unique backgrounds was quite an experience, and I found myself most intrigued by how the author chose to weave them into a modern day backdrop. For instance, in Bernice’s Bluebeard-inspired story, Bernice dates a man with a literal blue-dyed beard who is a tech billionaire, and subsequent events follow. There were a lot of really interesting ways that Adelmann connected the characters to their stories and in how she had them open up about their individual traumas and struggles. There’s always a bit of an air of the unknown and somewhat magical vibe as well that lingers around each woman, though the harsh and bitter realities of life often seem to tamp these down. 

As much as I enjoyed each story, I also found myself wanting just a bit from each of the individual women’s stories, as well as from the overarching story and theme as well. I was, in general, satisfied with the ending, but I still feel as though there were some stories and areas that felt rushed, while other had more time spent on various scenes in their own stories that didn’t match up with the time given to others. For instance, Gretel’s story was one of the most interesting to me, but also one of the relatively shortest ones (or at least it felt that way, as the substance of her story didn’t focus as much on the past experience itself so much as the trauma and aftereffects, which did make some sense to do), and even the parts of the story that we did get didn’t really contain that much content, or so it felt. I understand that this may have been done on purpose since so much of How to Be Eaten provides commentary on the media and the desire by the public to constantly peer into other people’s lives and tragedies, but at the same time I felt that it was somewhat necessary to have enough backstory to really understand each woman’s present character and struggles she endured to get to where she is today, as well as to figure out where she’s going in the future. 

The conversations among the women that popped up while a story was being told were often interesting as well and touched on compelling discussion topics about the media, women, privacy, sexism, etc., but I'm not sure if they really went anywhere further than general discussion. There doesn't have to be an "answer," and anyone who has been to therapy knows there often aren't any real answers, but it sometimes left me wanting a bit more from the author’s writing. 

How to Be Eaten was a darkly funny and also difficult story that touched on some very serious issues at the same time, such as PTSD, trauma, learning how to live and regain one's life and individuality, and much more. It's a bit gruesome at times in a variety of ways, so I do recommend caution if you are sensitive to any of the mentioned themes or content. Adelmann has a wonderful imagination and a prose that really cuts to the core of any story or situation and left me deeply engrossed in each and every story shared.

Overall, I’ve given How to Be Eaten four stars! If you enjoy stories that touch on fairy tale elements, stories that dive into people’s lives and examine their past and how it affects their presents, or simply an engaging tale of five very different but also very similar women, then you should definitely pick this one up.


*I received a copy of How to Be Eaten courtesy of the publisher in exchange for an honest review.*

Buy the book: Amazon | Bookshop.org


Friday, May 20, 2022

The Friday Face-Off: Yellow

   Friday Face Off New

Welcome to The Friday Face-Off, a weekly meme at Books by Proxy. Join us every Friday as we pit cover against cover, and publisher against publisher, to find the best artwork in our literary universe.  You can find a list of upcoming topics at Lynn's Books.

This week's topic is:
Yellow Cover

I found quite a few yellow covers while looking through my 'Read' shelf on Goodreads, but most of them only had one or two cover variations. Fortunately, I stumbled upon Alif the Unseen by G. Willow Wilson (which I read years ago and honestly don't remember much about at all) and it has a very bright yellow (and green) cover that I think is a perfect fit for this theme. Let's have a look at some of the other cover variations that exist for this book!

Alif the UnseenAlif the UnseenAlif, neviditelný
2012 US Hardcover | 2012 US Paperback | 2014 Czech

Alif the UnseenElifAlif
2013 US Paperback | 2014 Turkish | 2013 Danish

Alif NevăzutulAlif l’invisible無限の書 (Alif the Unseen)
2019 Romanian | 2013 French | 2017 Japanese

Alif l'invisibileAlif the UnseenAlif der Unsichtbare
2013 Italian | 2012 Australian | 2018 German


My choice(s):
It's hard to pick since these are all so different, but I do think I'm a bit partial to the original US hardcover edition that I read. I love the US paperback edition as well and I really like the blues from the Romanian edition!


What cover(s) do you like the most?